IK Multimedia iLoud MTM Studio Monitor Review

IK Multimedia iLoud MTM Studio Speaker Test

The iLoud MTM is the ideal choice for those looking for a compact studio speaker for professional mixing, or for those who have limited space to fit a speaker. With its richly detailed sound, it is also ideal for home studios.

IK Multimedia iLoud MTM features

Type: 2-way/3 speakers with two amplifiers, digitally controlled studio monitor

LF drivers: 2 x 3.5″ polypropylene custom-made midrange drivers

HF driver: 1″ low distortion, rear chamber silk dome tweeter

Acoustic design: DSP tuned bass reflex

Number of amplifiers per speaker: 2

Amplifier type: high efficiency class D

Total power: 100 W RMS

LF power: 70W RMS

HF power: 30W RMS

Crossover type: linear phase variable sequence

Crossover frequency: 3.1 kHz

Frequency crossover: 50 Hz to 24 kHz +/- 2dB (40 Hz -6 dB if mismatched, -3 dB if cal)

Phase response: system remains coherent within +/- 15° between 200 Hz and 20 kHz

Sensitivity at +4dBu: 0dBu signal generates 100 dB SPL at 1 m

Sensitivity at -10dBV: -11dBu signal generates 100 dB SPL @ 1 m

Maximum SPL @ 1 m, playing one speaker on axis: 103 dB from 200 Hz sine wave, 95 dB at 100 Hz sine wave, 93 dB pink noise

Position adjustment: manual switches for LF Extension, LF trim, HF trim, and desk position

LF extension: switch sets the frequency response to -3dB at 40, 50 or 60 Hz

LF switch: Low shelf, +2dB or -3dB from 100 Hz down

HF switch: high shelf, +2dB or -2dB from 8 kHz upwards

Desktop switch: -4dB at 160 Hz and +1dB at 1.8 kHz

Calibration: fully automatic and built-in digital calibration, microphone included

Measurement microphone: Omnidirectional, Mems-based precision measurement microphone

Full DSP control

Connectors: 1x combined XLR-1/4″ TRS balanced input; 1/8″ TS ARC microphone input, 1 USB type B (service only), AC POWER socket

Power requirements: 90-240 V AC, automatic range, 50 or 60 Hz, 120 W maximum power consumption

The iLoud MTM is a compact active studio monitor. It measures 264x160x130mm and weighs only 2.5 kg. The iLoud MTM features a linearisation system that provides real-time performance enhancement for superior sound. The special design ensures optimal, even sound dispersion, a prerequisite for good acoustics. The compact size means it can fit virtually anywhere. The rubber base allows the speaker to be placed horizontally. The iLoud MTM can be tilted up to 20 degrees when placed on the table.

There are three calibration settings to choose from. IK’s proprietary ARC calibration system compensates for room acoustics using the measurement microphone.

With a total power of 100 W, the maximum sound pressure level is 103 dB. Thanks to the on-board DSP, the speaker sounds natural and realistic. It produces solid bass notes.

The speakers look like three-way monitors, but in fact they have a two-way/three-speaker setup, so they include two midrange and one tweeter. This design provides a sound that minimises ear fatigue. Other companies-such as Genelec and Pioneer use coaxial designs, with the tweeter in the centre of the woofer. For the iLoud MTM the mid-bass drivers are located on either side of the tweeter to provide a similar design and effect.

The woofers are called midrange, so you might think that the bass is not intense enough. In fact, they are designed with a bass extension up to 40 Hz and use IK’s Physical Response Linearization (PRL) system to ‘achieve a balanced and distinct bass response’.

Automatic calibration

IKM boasts that the speakers have a completely flat, neutral response, but in fact the frequency response can be calibrated to suit the room, so this means they provide accurate, flat sound regardless of the room.

These adjustments are very easy to make on MTM studio monitors. Simply connect the supplied ARC reference microphone to the back of the speakers and place it in the desired listening position. Press and hold the button and each speaker will immediately calibrate itself to try to provide a response that compensates for the room acoustics. The process takes less than 30 seconds. Of course, for perfect acoustics, it is essential to perform acoustic treatment of the walls of your room, especially in a studio. Special sound absorbing panels and diffusers, specially designed for acoustic purposes, are needed. Only with the right studio acoustics can expected sound engineering content be produced that sound ideal in any room.

Sound

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Studio Test Impressions

We tested the speakers in a very small home studio. Fortunately, the room had ideal acoustics, with leather membrane absorption panels and QRD diffusers installed on the walls. In this environment, the compact IK Multimedia monitors delivered a solid performance, though they naturally couldn’t match the sheer width and depth of larger, three-way monitors like the Dynaudio Core 59.

That said, the sound was far from lacking—bass was punchy, midrange frequencies were tight and silky smooth, and the low end remained well-controlled. Compared to more affordable options like the JBLs, the IK MTMs offered greater midrange definition and overall clarity.

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Conclusion

This compact pair of studio monitors holds its own remarkably well against larger models in terms of sound quality. Thanks to their small footprint, they’re ideal for tight spaces or smaller studios. Their tonal balance is well-suited for professional studio work, delivering a neutral, accurate sound.

While the soundstage isn’t as wide as that of larger monitors, this is a minor trade-off. Bass performance is controlled and precise, and with the built-in calibration system, users can further optimize the output to suit their room.

In short, this is a well-rounded, highly capable monitor set that we wholeheartedly recommend to anyone in need of a compact yet professional solution.